I've always had this American-pie face that would get work in commercials... I'd say things like, 'Hi, Marge, how's your laundry?' and 'Hi, I'm a real nice Georgia peach.' Sometimes this work is one step above being a cocktail waitress.
I remember some stories had a very big impact on me, like 'The Little Train That Could,' which is about the importance of not giving up, and 'Little Toot,' about a playful tugboat in the New York harbor.
Speaking out about multiple sclerosis to others who may be dealing with this disease is actually helpful to me as well as, I hope, to others. It builds community, helps bring awareness to MS, and strengthens the MS movement that will ultimately lead to the end of this disease.
There were symptoms that I saw, and though I went to many doctors and had many tests, no one diagnosed MS.
I'd like to play something classical. I'm in the Strindberg society, and we do readings of Strindberg plays. I'd love to do Nora in 'A Doll's House.' And Chekhov. I have been working back to back on what I call 'regular jobs,' so it's hard to do plays.
I think eventually they're going to find out that MS is like 10 different things. I have a neurological disease something like MS, and it's MS, so let's take medicine for it.
Speed bumps, I was thinking, you know, you're driving along, everything's OK, and then there's a speed bump to go, 'Slow down.' Go over it real slowly, and you hit the pedal, and you keep going, and I just thought it was kind of a nice metaphor for life.
Directors would tell me, 'We want you to play a character a little less complex than you are.' Yeah, sure. What they mean is, 'You're playing a dummy.'
How come women are treated differently from men all the time? Not only handicapped people, but women - and handicapped women, forget it!
What's happening to me is I'm still happy and functioning, being able to listen to music, see good movies, read good books. What else is there that I can't, you know, I mean, I'm OK.