Thomas Heatherwick

Designer

38 Quotes

I thought I wanted to be an inventor but then discovered you couldn't study inventing!

I thought I wanted to be an inventor but then discovered you couldn't study inventing!

I'm wary of the word 'inventing,' because in the British psyche the word 'inventor' is immediately linked with 'mad'. For me, inventing is problem-solving.

As a teenager, my father took me to the shows at the Architectural Association and to places like Milton Keynes back when it was first being built. But I couldn't find anything for me. There seemed to be despair at the possibility of the built environment possessing any imagination in the real world.

At the root of everything I do is a fascination with ideas - what ideas are for, what jobs they do.

My studio's passion is improving the public experience of cities for everyone.

I try to be a positive person, but I'm also always looking and wondering, 'Maybe this could be done differently.' As soon as your mind is in a critical mode, you're halfway through designing; as soon as you start thinking about whether something could be better, you're already halfway through a solution.

The world of contemporary art has, in a way, exponentially expanded in the last couple of decades, and almost every major city in Europe and Asia and North America has fallen over themselves to have their own contemporary art museum.

When you think about the worst places humans come into contact with, they are often our health environments.

I am finally getting the chance to build large structures and break preconceptions that my designs are just sculptures for people to be in. But my work always comes down to the human scale.

Ambition is a form of creativity.

It's important for people who criticise architects - whether what they build is or isn't to your taste - to appreciate how they devote themselves and put everything into bringing a building into existence.

Clearly I've got an ego.

I'm in love with cities. I find them amazing, the quiet co-ordination of thousands of people, going about what we're trying to do, and that organism of the city nurturing human aspiration, and the actual city fabric itself being a special thing rather than just infrastructure.

Historically, in the world of architecture, enormous amounts of care and energy have been lavished on things that are almost a cliched idea of culture.

It gives me the creeps when I see a frame for a building going up and recognise the architect. You shouldn't know who a project is by.

I think that human nature is scared of change and justifies it in all sort of ways.

One great building does not make a great city.

I'm not really interested in creating things to be seen inside a private gallery. I'm interested in creating things that are all around us, that engage us. I just find the things that I respond to are useful.

I have a strong sense that every project is an invention, which is not a word I hear being used in architecture courses.

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