When you do a good theatrical production, sometimes you dream about that 8 o'clock curtain call for six months.
I remember my first professional paycheck. I couldn't keep it as a memento because I needed the money, but I have kept some of the residuals that I get. I got one the other day that was for two cents. I might put that in a frame.
So I grew up watching film noir, you know the classic stuff. William Holden, Richard Widmark, Robert Mitchum, all those.
With film sometimes you're thrown in there and you literally hit the ground running, taking your best shot and just leave it up to the editing.
One of the things that motion capture and/or voice acting does is allow you to continue your career, change it, or bring a new aspect to it.
October's a busy month for me. I usually find myself working but I also try to do one or two conventions in that period. Then whatever city I'm in, they want to drag me to their local horror theme park.
Whenever I do something, particularly if it's a cameo, I make sure that I have a backstory written out so that I can talk to the director intelligent and try to communicate a three-dimensional character.
I think people are getting more and more - unfortunately - inured to violence. People are like, less sensitive to things they should wake up about.
I've worked with directors who have done it too much, particularly in television, you know, 'okay we got it, let's move on, next setup.' 'Well what about, we could maybe investigate?' 'Mmm... no, let's go.'