My job is all about defending the people that I play.
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We've turned film into such an industry that we pursue naturalism just by shaking the camera and cutting the film to ribbons to provoke a bogus sense of documentary. But we haven't done the homework. To push the depth that the Actor's Studio did or the Russian theatres did with their actors is to rehearse, to spend time, to dig, to excavate.
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I'm so sick of sarcasm and irony, I could kill! Sincerely, the real root of things is love and sacrifice.
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The heat around young actors burns out. Natural ability and magnetism only get you so far. The rest is hard work.
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I don't think I'm particularly shy. I just don't like being front and center as myself.
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I don't like to rehearse, and the film-makers that I have been drawn to are interested in provoking something between people rather than nailing a scene in advance.
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Usually, I'll drop twenty to forty per cent of the dialogue - you can do so much with gesture. I'm still waiting to do a silent film.
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I'm learning not to hold on so tightly to my solitude. It's not an economical way to work. A driver would call it 'white-knuckling.' If you're holding on to the wheel so tightly, it's gonna lock up your driving. Releasing myself from trying to control everything has been part of growing up.
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The roles I'm interested in or have been interested in, you know, it's going to get down to conflict. Drama is conflict - conflict of interests.