When you're laughing aloud at David Sedaris' every sentence, it's easy to miss the more serious side of what he's up to.
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I loved Victoria Glendinning's bio of Vita Sackville-West. I also loved Michael Holroyd's immense biography of Lytton Strachey.
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I think libraries give the feeling that people are there to work. It's a little bit like an artist's colony in the sense that there's some sort of shared experience. There's respect for quiet, more or less, but otherwise, there's activity.
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Honestly, I'm, like, the least religious person in the world.
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It's really fun to write something for kids. You can make it a little bit more extreme and crazy than you would for adults.
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Early on, I got some criticism from other gay writers and queer theorists for being too 'assimilationist,' probably because my characters are outsiders, even in the gay world.
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I guess I have an aversion to writing about big events and heroic actions. The everyday has always seemed most important to me in writing, probably because I believe people reveal themselves in how they deal with small details.
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I keep trying to write happy endings, but my books always end on more of a bittersweet note of ambiguity.
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It's hard to imagine anyone accusing Lionel Shriver of being a timid writer.