I watched 'Kojak' religiously with my father. It was a great bonding time. He loved shows where the stakes were high. Life and death, justice prevailing, things like that. I think that helped set me on the path to what I do now.
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I realize now I could have gotten a whole book out of that and so I think that was a big mistake. But the truth is you write in the moment and with your head down and there is no way back then that I could have conceived of Harry having the longevity that he has had.
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When you're working on a novel, you never think about how much it would cost to shoot one of your scenes. But that's a huge consideration in film and TV.
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I've crossed the Mexican border and gone to Tijuana a few times over the years, but I've never felt comfortable there.
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I'm one hundred percent Irish, and I'm very proud that I'm Irish American, though I don't know exactly where my ancestors came from. I just know County Cork.
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I'd seen Titus Welliver in a few shows and felt he had some inner demons in his portrayals, as does Harry Bosch.
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What is overriding that and most important is that readers generally are interested in a good character. They might be more comfortable with Harry because they think they know him, but they always seem willing to give somebody new a chance.
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I've sold 11 of my books to Hollywood. There are all kinds of my books on shelves in Hollywood because the scripts didn't capture the characters.
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When I was in college, there were dollar movie nights. I went to see 'The Long Goodbye,' which was based on one of Chandler's books but was contemporary and set in Los Angeles in 1973. I loved the movie, which motivated me to read the book.