I didn't always take myself that seriously. Image-wise, I was somewhat of a jokester.
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Nothing I do is ever void of melody. I know it might seem like I'm doing a lot of rapping, but I'm always utilizing tone and trying to find a key signature. So, I don't look at myself as a rapper.
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I had a project called 'Cover Art,' which was the first project I did under the new name Anderson .Paak. I went through this process where I was recording new music for about six months straight.
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My mom was born in Korea - Seoul, Korea, during the '50s, '51. She was abandoned; her and my uncle were abandoned. My grandfather was a Seabee and adopted my mom and my uncle, and brought them to Compton in the '50s. That's where she was raised.
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I used to work with mentally disabled people when I was 18 or 19, changing diapers and catheters. I was working, like, 16 hour night shifts, having to distribute meds and go capture people who would break out of the house. Sometimes they'd have seizures, and we'd have to rush them to the hospital. That was an interesting time, very humbling.
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I grew up in Oxnard, CA, and I went to a church called St. Paul, where I was playing drums. My mom had a strawberry company. The whole town of Oxnard is basically built on produce, and more particularly, strawberries.
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I'd been watching documentaries about early rock where white artists took 'race records' from blues and soul musicians to achieve mass appeal. I wanted to flip that and do an EP covering only white artists.
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I put a list together. It was like: Get health insurance, get a car, get a bigger apartment, travel more, get a record deal, get a publishing deal, sell 10,000 units, be a part of a No. 1 album, make a million dollars. I got to check off 90 percent of the stuff last year. I hit some serious landmarks in 2015.
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I wanna do a song with Adele! Nobody gets Adele as a feature, so maybe I can. I hope she knows who I am!