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It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

- Sean Baker
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Sean Baker
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I spend a lot of time on my phone, so I have two Mophie backups myself.

I love celluloid. I love the look of it.

Nobody is going to just come and give you money unless you've proven yourself, especially if you're doing something that is unconventional or unorthodox and outside the way the industry thinks.

I believe that human beings shouldn't live in climates that they cannot survive naked... and New York, although full of energy and heart, does not fall within that rubric.

I remember, at one point, I was actually studying it kind of intensively around 2001, when Hrithik Roshan was big. I wanted to learn more about it, as I've always been intrigued by the craft of Bollywood, in that how well they were shot in glorious widescreen. I would actually go to see Bollywood films in the theaters in New York and New Jersey.

I'm very influenced by Mike Leigh and the way that he always has these climactic confrontations, like in 'Secrets and Lies' and 'High Hopes,' in which the ensemble cast meets in one location.

Honestly, in retrospect, when I referred to the actors from 'Prince' as non-actors or non-professionals, it was actually a great disservice to them. The fact is that they are all actors and should be viewed that way by the industry. It was our casting process that was non-professional.

There are so many directors who don't like any kind of interaction on set except for producers. I am the opposite.

I think most of our eyes are trained to background being completely out of focus, but you can't do that with an iPhone unless you manipulate it quite a lot in post. You have to accept the fact that your film is going to look a little different on the big screen. Even though the resolution holds up, it does have something very different about it.

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It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'