When I was sixteen I started acting, and I also started to embrace my tradition and culture. I had a young medicine man interpret for me what it is to be an Indian. He really caught me at a good time because I was really vulnerable after the loss of my parents with all of the feelings of abandonment.
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I go to South Dakota for ceremonies when I have the time. And when you learn what the Indian peoples have gone through to hold onto their culture and traditions... wow, it's an amazing story.
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I've learned that for Indian people, the opportunity for us to succeed is very slim. So acting was a great tool for that. And in the process of learning about my culture, I've learned how to connect myself again to my ancestors.
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Acting has made me embrace my childhood. It's become some weird form of therapy. It's like I have a place where I can release all of these emotions. When I was playing Ira Hayes, I didn't have to think about the death of my parents directly. It's just there. I can blend it into Ira's character. I can use Ira's emotions as an outlet.
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As a kid, I was just led out in the morning to go spend my day with my friends and just run in the woods. And I'd only come home to eat or when I was thirsty.
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I always believed in if you give your best, people will see it, and it moves to the next level. I got my first movie, and I gave it my best. Before I was done with that movie, I was offered my first feature film.
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When I was growing up, my white friends would call me: 'Hey, Chief!' Even when I go to work now, people call me 'Chief.'
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I never understood the realism of an imaginary circumstance. While I was doing 'Smoke Signals,' I relied on my instinct and what I grew up with. I had this energy, but it was a one-dimensional thing.
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I remember, as a kid, I'd follow the rooster and the chickens and watch what type of grass they'd eat. And me and my friends would eat that grass, like that was our lunch.