Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.
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Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.
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Yes, Carl Vine stuck around. He's now number one composer for choreography.
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I wanted to give people - which is fairly bizarre considering my whole life is contemporary dance really - I wanted to give people a really fulfilling sense that they had seen a white classical ballet - in a very pure form.
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If the year 2000 can help us move into the future, that's fine, but I am afraid that people see it as a full stop and that one can take a big breath afterwards - you can't.
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I'm in the position to pick the cream of the crop.
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Sydney is a very good market for us - we have a very strong following here.
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Mostly, I'm in the very enviable position that no one dictates what I do.
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I look at the dancers and I get the inspiration for the work from them.