The best thing about writing speculative fiction is the opportunity to satirize the whole wide world. The America in 'A Better World' isn't ours, but it's pretty close, so I could lampoon everything from partisan politics to the cult of celebrity to our general disaffection. To me, all that is the point.
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The notion of a writer sitting in a library doing research isn't what I want. The research I love doing isn't found in a book. It's what it feels like to rappel down the side of a building; to train with a SWAT team; to hold a human brain in your hands; or to dive for pirate treasure. Those are things I've done to research my stories.
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I learned to dive in Belize, which is sort of like learning to drive in an Aston Martin. The reefs and refuges are some of the most dramatic in the world. But the real reason I went was to dive the Blue Hole, a 400 ft. sinkhole near Ambergris Caye. Google it, and you'll see why.
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I've always been fascinated by mythology or, in modern parlance, by X-Men or vampires.
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I make no promises every book will be about Chicago, but it's so inspiring. It's a city of such contradictions. I love to write about it.
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I like really sharp flavors, and I like contrasts. Something sweet and sour at the same time is a big win.
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I do wish that reviews were less like book reports. There was an era when reviewers had something to say about a book: when they painted context and drew conclusions. Many reviews these days are little more than plot summary.
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For me, the best moments in storytelling are the ones where I feel I'm discovering something.
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Honestly, I don't focus on what my writing is called. I don't mean to sound artsy and pretentious, I just really can't think of things in that way. For me, the point is telling a story that keeps people up past bedtime, while hopefully exploring ideas that resonate.