When you think about it, psychological thrillers often involve extraordinary events happening to ordinary people.
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We may like to pretend otherwise, but we all have thoughts we don't want anyone else to know, things we've done that would change the way people feel about us, or parts of our lives that we would rather forget.
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The righting of historic wrongs has chimed with something fundamental in me since I was a young reader. I love the forensic skills, the psychological insights, and the sheer bloody-mindedness of various detectives - professional or accidental - inching toward the truth of a long-buried secret.
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Once you write a book, you hand it over to the readers, and it's their book then. They're so involved. They ask questions about details that I haven't even thought about.
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As a journalist, your words are regularly read by lots of people, but they're not your words: they're someone else's. You're quoting people.
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For most of us, our protective lies or omissions are so insignificant that being found out would be only mildly embarrassing. But for some of us, our secret may threaten to destroy everything. And that is food and drink to a novelist.
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As a reporter, I spent a great deal of time in court. During brief breaks in testimony, I would often look at the spouse, usually the wife, of the accused. I began to wonder how listening to the details of a crime purportedly committed by your spouse would affect that person's view of her husband.
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The secrets of small towns have fascinated writers and readers since the first psychological thriller was penned.
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As a journalist, I've been a professional watcher, picking up the body language and verbal tics that make us individuals and interesting to others.