When you work with kids, people tell you to be very delicate, but that's the last thing you should do with kids. They feel patronized if you're like that. They just want you to be normal.
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I have to say, 'Gravity' is better in 3-D, even though in 2-D the quality of the picture is better. But the 3-D is better.
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It's a cliche, but Americans are puritanical. In their movies, they are scared of sex, but they overindulge in violence. I could have cut a G-rated version of 'Y Tu Mama Tambien' that would have pleased the American ratings board, but it would have been five minutes long.
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If you want to keep on being relevant as a director, I think you have to embrace the times. And with the times come technologies and formats.
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I was not aware of how much I loved 'Canoa' until I saw it after doing 'Y Tu Mama Tambien' and realized that my voice - over about the story's historical context - that narrator - came from 'Canoa'.
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I have this thing that, once I finish a movie, I never see it again.
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I have my misgivings about 3-D. I don't like the lack of blacks and whites, how it dulls the image, how the color gets corrupted. I don't necessarily like the experience of having heavy glasses in front of me.
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A lot of the films I like are more than fantasies - they're movies fascinated by the technology of space exploration, and they try to honor the laws of physics. I watched the Gregory Peck movie 'Marooned' over and over when I was a kid.
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I used to be very controlling with visuals and editing, and I would pretty much craft the performances; now I have learned to trust the material and the actors.