It's like fiction - the fact that somebody's telling you a story about people who didn't exist doesn't make the experience of the story any less real in your heart and mind. You go through heavy emotional responses to these stories, and wrestling is a similar thing - but it's happening in real space.
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I write stuff down. I have a chalkboard in the kitchen where I will scrawl stuff down if I have a faint outline of an idea. And I'll go into my office or whatever. But that goes from format to format.
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I'm finding things out about myself as a person - as a writer - as I write, and so are the people who listen to what I do. But they have this additional aspect of how they take the stuff that I do, and so it broadens the work, and it creates this strange connection.
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To me, the only good reason to be touring is if you still have something good to share instead of just revisiting past glories.
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Metal isn't necessarily aggressive. There's metal that's contemplative, there's metal that's sad, and there's metal that's exuberant. No genre is limited in what it can express.
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I think I read too much Arthur Conan Doyle when I was young and got this idea that a gentleman should know a lot about one thing and plenty about most everything else.
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This is why improvisational music and comedy is so inspiring: You are seeing something being born, and that energy, there is no substitute for. These songs, most of them, are about a minute old when you hear them.
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Your creativity before it gets formed into words and songs is the actual substance. No one else can see it, right? Unless you give it the shape of a song or a painting or whatever.
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I used to assume no one would care, but I do think now I've written songs that are useful to people having dark hours.