If you're writing a screenplay for a feature, you don't have any involvement with the casting process, the editing process, the set design, the costume design, or any of that stuff.
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It's always easiest for me as a writer if I know I have a great ending. It can make everything else work. If you don't have a good ending, it's the hardest things in the world to come up with one. I always loved the ending of 'The Kite Runner,' and the scenes that are most faithful to the book are the last few scenes.
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I'm just not a natural teacher.
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And I didn't grow up wanting to be a director. I grew up wanting to be a writer, so for me, that was always the goal - to be a novelist, not a screenwriter. And I think, again, if I didn't have the novels, maybe I'd be much more frustrated by not having directed yet.
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We always talk about how the first several seasons were faithful to the books, and anybody who wanted to could go onto Wikipedia and learn Ned Stark gets beheaded or about The Red Wedding, and most people don't want to know - because why ruin a story?
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I was a huge fantasy geek growing up. I was the dungeon master in my D&D game.
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I don't type my sentences on an arena's pitch, surrounded by thousands of cheering or booing fans - I don't feel pressure to please a crowd.
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The reality is, 'Game of Thrones' has been a successful show for HBO, which has put us in a position to come and pitch another show and get them excited about it. And that's what helped get us here.