Our society wants things to grow, and our society wants things to become bigger and bigger. Everything has to be put under the spotlight.
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If I see a fashion show with literal influences, it doesn't make me think any more. It doesn't make me dream.
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I was growing up in the New Wave period, but that wasn't allowed in school. I remember moments when they wouldn't let four people dressed in black stand together on the playground.
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Somewhere, in some city in America, someone is wearing my clothes, and I'm happy with that.
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In the nineties, it was common to see people who expressed themselves through one designer - the Jil Sander woman, the Martin Margiela woman. You saw her on the street, and you knew who she was.
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In my opinion, Christian Dior was never, ever theatre.
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I see there is a lot of behaviour in men's fashion, which is systematic. It's a lot about all these kind of clothes that can be easily combined with each other, and it's less and less, I think, about making a fashion statement.
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The fashion thing is something I do, and yes, it is definitely also becoming a part of myself and my personality. It also doesn't really feel like a job, either: it's a dream or a passion or something.
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Fashion is such an octopus. You're connected to so many people: suppliers, pattern makers, production teams, marketing teams, vendors.
