I think it sits quite happily with me, the condition of being an actor. I see some people getting quite eaten up with it, with the insecurities. There are times when I long for continuity and stability, but I also love the idea of not knowing what I'll be doing next - or even if I'm going to work.
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Nobody's just arrogant. I've met people who are embattled and dismissive, but when you get to know them, you find that they're vulnerable - that that hauteur or standoffishiness is because they're pedaling furiously underneath.
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I have felt some twinges recently, about parts I wanted to play that I may be getting too old and fat to do. 'Hamlet,' for example - maybe that's gone. I would love to play Richard II.
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I try to be fussy about the parts I play. I think that's quite prudent, it means you're stretching different muscles, and you're scaring yourself by doing something which is out of your comfort zone.
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The security comes, as an actor, in knowing that you're not in control. If you try to control your career, or how people perceive you, you'll make yourself unhappy, because life doesn't work like that. So much is luck. It's much better to let yourself off, to think, 'There's nothing I can do.'
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The lovely thing about being an actor is being anonymous, it's never having to explain yourself. And that's what I find interesting about actors or painters I admire. I don't want to know about their lives.
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I've worried more and more as the years have gone on. The more you're seen to be doing well, the more stress there is. You feel you ought to consider things more, and be more fussy - there's further to fall. All these little worries.
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My vanity is I'm terribly romantic! But being married is lovely.