I work with writers whom I believe to be true storytellers. And because I'm a writer, I pay very keen attention to their vision. I find that so fueling creatively because, in telling those stories, you use everything you've got. You come away with battle scars. It's gratifying and invigorating.
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I always used to say hybrids would rule the world - people who have an understanding of many cultures and can relate to them with ease. And then along came Obama.
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You have to remember that you are part of a craft, and you are constantly building your craft. Ultimately, we are artists, so it comes from us. And I think the tricky thing about being an actor is that we're looking for someone else to give us something... Thinking like an artist and thinking like an out-of-work actor are two different things.
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I've always been extremely physically active.
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I got an M.F.A. in acting from NYU, and part of our training is to learn how to use swords in combat situations in a performance and Shakespeare plays where you have to fight.
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I like to focus on stories that need to be told and are not told enough. When I get bit by that bug, and the story is saying, 'You must tell me,' I then go through a process which is often painful and arduous, and long - and joyful! - of submitting to the story until I prove a worthy enough vessel to get it out.
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I went to Macalester in Minnesota to study social psychology, the study of why people do what they do. I was really looking at race, population, gender, and how we psychologically function in a way that affects our societal outcomes around those issues.
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It's something I've constantly found shocking - all this astounding talent amongst black women that never gets to be seen or heard.