When I do actual sequential work, I really want a story I can get a behind: a story that really holds my attention for, like, the length of what I'll be working on.
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I think of Wakandan technology as organic technology. Most of their tech mimics nature because it comes from nature.
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There's an attitude that I have where I bring the art to the table and the writer brings the writing to the table, but neither of us brings the story to the table. The story is something that only happens with the combination of both of us.
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Most established comic writers have a fixed style or methodology, so what you get on page one of the first issue is about the same for the last page of the series.
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Wakanda is the Marvel world's most technologically advanced nation, and offensives there can have ramifications everywhere, so that leaves open great possibilities for cameos.
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I never really thought about the fact that most of the times I saw Black Panther, he was in New York or in some American city doing something cool with the Avengers. I mean, he's the Prince of Wakanda, but we rarely saw him in Wakanda.
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In the Marvel universe, vibranium has always been this material that absorbs kinetic energy. And any tiny bit of physics knowledge will tell you that that's really non-Newtonian. You can't just absorb energy, you've gotta change it into something else.
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'Day Men' provides a magnificent challenge in that it deals with a secret society within a secret society.
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Most creative people fall into one of two categories - either they're task-oriented, or they're time-oriented.