I don't think there'll ever be a time where we're like, 'Okay, The Driver Era is... ' People ask me, 'What do you represent?' But it's forever growing, and it's forever changing.
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You grow as a writer when you learn how to make songs flow from start to finish. That's the best song, when it's such a seamless process to get to this release at the chorus, this euphoric feeling. That's why the Beatles were so good - they did such a good job building so much tension in the beginning to this immaculate release, and then it ends.
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That's the thing about being an artist: you never should settle, really.
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'Teen Beach Movie' was a lot of fun because we were in Puerto Rico on an island - you can't even call it work!
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The thing with acting is I'm at the liberty of someone who wants to book me. With music, I can do it all the time. With acting, I could, too, if I wanted to write a script and do that whole thing, but music is a constant thing. Acting, I have to audition.
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I like to go off the other actors in the scene, which kind of stinks when you're acting with someone who's not that great.
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I love OneRepublic, The Script, All Time Low. I love pretty much every genre. I love the Rolling Stones and Elvis.
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I love learning new things, and 'Austin & Ally,' honestly, was probably the best foundation for the acting side of me, just cause I learned so much.
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It's nice to have a variety in creative work that I like to do.