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There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.

- Pankaj Kapur
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Author:
Pankaj Kapur
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When an actor gets an opportunity to do things, only then can he prove his mettle.

When an actor gets an opportunity to do things, only then can he prove his mettle.

Television has been a powerful medium and it has been a huge part of my life at least 15 years.

If you continue working hard and be honest towards your work, then success will come.

I don't want to do films where I'm just there with nothing much to do.

The Urdu or Hindustani language we use isn't popular in theatre these days. It was a language that was being used in cinema from the 1950s until the '80s. It is a very communicative language.

I admit TV is a far cry from the films that I started my career with, like 'Ek Doctor Ki Maut.' It's like reading Chekov and then going on to a comic strip.

I became a writer out of the desire to express myself.

In India, writers are underpaid. Universities should start new courses to create more opportunities for them.

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There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.

There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.

There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.

There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.

There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.

There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.

There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.

There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.

There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.

There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.

There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.

There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.

There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.

There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.

There's no set rule, but when you look at the script, you start thinking about this person and how to create this human being on screen. You dig deeper into a script.