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The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.

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We use the same possessive pronouns for everything, but do we own our lives or sisters or husbands in the same way we own our shoes? Do we own any of them at all?

My sister is my sister regardless - has always been and always will be and has no choice about it. This is a love quite distinct from that of a lover, with whom we fall in love, in part, because they are free and have a choice.

When there's change, and people fear things, they become more dogmatic in their views. They lash out: you can see it in the media, scapegoating and penal sentencing.

We see book-burning as a crime against humanity: it's intolerable because books represent a kind of freedom to us.

I think we often live at a surface level, and that ends up with us in a lot of difficulty because we just function on assumptions and secondhand knowledge.

Down on the ground, we seem to do anything but make lengthy, robust monologues. We can communicate in an instant almost anywhere. Gone is the slow old letter - itself a monologue, a sort of considered performance of best self - and in its place is the e-mail, the text, the SMS, the tweet.

With 'All Is Song,' I tried to construct a very traditional narrative that pulls no tricks.

I made a decision when I started writing 'All is Song' to take the compliments I had for 'The Wilderness' and try to be confident and not overwhelmed by it.

When we fall in love, we feel that this person is ours and we are theirs by our mutual volition, and we know they could leave - we know that because they are free, and their freedom is part of the thrill.

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The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.

The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.

The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.

The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.

The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.

The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.

The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.

The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.

The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.

The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.

The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.

The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.

The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.

The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.

The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.