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I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.

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Digital is my safety net. I know how to use it, how to operate those cameras; it makes sense to me. Film is much more mysterious.

I know I have trouble watching my own films.

I have a repository of titles I like in my head, and I am always looking for a movie that I can put one on.

I'm sentimental to a fault.

'Peter Pan' is a beloved property. It's a property that was brought to the screen many, many times before, so one has to not only justify the reasons why one might make a 'Peter Pan' movie in 2018, 2019 or whatever, but you also have to do justice to the source material.

There are some stories - not even stories, some feelings - that you can't accomplish in cinema without using celluloid.

I'm someone who is very sentimental and nostalgic and attached to the homes I lived in, and I think moving is a traumatic experience.

Some filmmakers are great at making complex things and films with a lot of moving parts, and I'm just not that way.

I love what Paul Thomas Anderson did with 'The Master' with putting out those teasers made up of footage that's not in the movie.

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I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.

I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.

I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.

I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.

I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.

I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.

I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.

I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.

I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.

I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.

I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.

I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.

I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.

I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.

I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.