My goal from the very beginning was to make very visually lush, juicy films that you can really sink your teeth into. That's always been part of my modus operandi.
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I love to choose the right actors. It's kind of a pleasure to work with them and watch them imbue your concepts that you write.
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I think the first music I ever heard was Abba. I took my mother's cassette recorder and went into the bushes to listen to Abba when I was four or five-years-old.
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Well, I think if you're telling a story, a three act structure will just naturally emerge out of it. But I also love it when a film doesn't feel like it's anchored too rigidly to that structure and you feel like anything could happen.
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I taught myself filmmaking on my own.
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Well I don't think of myself as like a horror or science fiction filmmaker. I just think of myself as a filmmaker.
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The idea of creating a quote-unquote 'retro' world isn't all that appealing to me by itself.
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My mother died in 1997 and I spiralled into this self-destructive vortex of trying to annihilate my consciousness. I was afraid to face the grief of losing her, because she was somebody I loved more than anybody else in the world.