When we started making mixtapes, we were just ripping stuff off YouTube and DVDs, naively thinking that because we were putting it up for free, it was gonna be fine.
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Most friendship groups will have someone who starts a new relationship, and you just don't see them for four months. And that's always kind of sad, almost like an inverted break up. I guess the ideal situation is that whoever the new partner is can be subsumed into the friendship group.
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The idea of doing film and music together is an absolute dream.
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I made a lot of the first album on a laptop in my bedroom after college and after work.
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I don't necessarily feel 100 per cent comfortable standing up on stage in front of lots of people, but I don't think most people would. It's a pretty bizarre thing to do. It can also be absolutely incredible having thousands of people singing back lyrics that you might have written in your bedroom or wherever.
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We've been having a great time writing for other artists in and amongst making our Bastille albums and mixtapes.
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Playing new songs at festivals is weird, obviously. People at festivals are always a bit drunk, and probably just want to hear stuff they know by bands they love, or are checking you out and don't know your stuff very well.
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My songs used to be significantly more bizarre. I used to play a big electric piano and a loop pedal. I was really into Regina Spektor, and I liked her narrative lyrics that were quite off the wall. I used to layer things up and try and replicate what I'd been doing with my bedroom recordings.
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The mixtapes, and a lot of our music, it comes from a place of fandom and appreciation and of respect and of nodding toward stuff that we feel really affectionate towards.