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I am not a visual innovator.

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There isn't a studio in the world that wouldn't burn half its soundstages to get a Tom Cruise movie.

There isn't a studio in the world that wouldn't burn half its soundstages to get a Tom Cruise movie.

I love having made a movie.

My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.

In terms of level of difficulty, it would go comedy, thriller, and then romantic drama.

American movies are the most popular movies everywhere, and it is true that the quality is far from uniformly terrific.

When you're shooting a feature that costs $200,000 a day with a crew of 250, you don't want accidents; you want to know exactly what's going to happen. But with a documentary, you don't, so you have to be sensitive to accidents because that is where the gold is.

When I work, I think mainly in terms of dramatic choices.

I mean, movies are like your kids or your fingers and toes or something, it's pretty hard to pick favorites.

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I am not a visual innovator.

I am not a visual innovator.

I am not a visual innovator.

I am not a visual innovator.

I am not a visual innovator.

I am not a visual innovator.

I am not a visual innovator.

I am not a visual innovator.

I am not a visual innovator.

I am not a visual innovator.

I am not a visual innovator.

I am not a visual innovator.

I am not a visual innovator.

I am not a visual innovator.

I am not a visual innovator.