I played for anybody and everybody from the time I started playing guitar, when I was 10 or 11.
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I had a vague idea of the song's impact in the '60s, but that was tempered by the hate mail and threats I was receiving. It was only about ten years ago, when I finally put it back in my show because so many people were asking for it, that I understood 'Society's Child' real impact.
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It's what I do well - I write about things that make people uncomfortable. That's probably the only thing I do better than my peers.
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The money when you're having a hit is great, but money can be taken from you. What can't be taken from you is the talent and the effect your work has.
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When people used to call me a political writer, it was kind of confusing because I was always much more interested in the social end of things which hinges on the political, but it isn't really part of it.
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The best thing you can learn from the worst times of your life is that it always gets better. It may take a month, a year, a decade, but it will get better if you leave yourself open to it.
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I was interviewed for a Grammy television show, and they asked me about Nashville, and I talked for three minutes and when I finished, I was teared up. The whole room was crying. Nashville has given me a home, where I never had a home before.
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Once you're halfway home, you know that you can probably get the rest of the way there.
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Once you're halfway home, you know that you can probably get the rest of the way there.
