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You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.

- Adam West
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Author:
Adam West
Tags:
Waiting
Way
Mask
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Not to be able to move around or do things without thinking - that's tough. I may end up that way, but if I do, I hope to hell my intellect will take over, and I'll find some kind of joy and a way to contribute.

There was a time when 'Batman' really kept me from getting some pretty good roles, and I was asked to do what I figured were important features. However, Batman was there, and very few people would take a chance on me walking onto the screen. And they'd be taking people away from the story.

People love Batman, and I would be stupid, I would be a fool if I didn't love Batman.

I have the curse of thinking funny!

Life is full of ironies and absurdities.

I think our Batman had to be fun, light-hearted, funny, tongue-in-cheek... and I think that made kind of an homage to those earlier comic books, where Batman always had a quip or something.

I've always shied away from 'Where are they now?' shows, because I've been lucky enough to keep working, and people know where I am.

If you're a plumber, you plumb. I'm an actor. I act.

Some nights, I wear my cape, and I go out on the pier. It is foggy... I look for... Riddler.

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You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.

You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.

You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.

You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.

You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.

You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.

You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.

You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.

You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.

You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.

You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.

You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.

You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.

You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.

You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.