There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
The type of cartooning that I think is generally referred to as 'alternative' or 'underground' is usually - the distinction is usually in terms of whether it's made by one person, the entire thing is done by one hand or more of a production line process, which is how the comics that we grew up reading were made.
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The type of cartooning that I think is generally referred to as 'alternative' or 'underground' is usually - the distinction is usually in terms of whether it's made by one person, the entire thing is done by one hand or more of a production line process, which is how the comics that we grew up reading were made.
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It's absolutely chilling to think that I've been working on a comic-book series called 'Optic Nerve' since I was sixteen.
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I'm always a little apprehensive about 'decoding' fictional stories.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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I don't pick up my work at all. If it's something that's still in progress and I have the chance to make some edits on the material or think about the order, little things like that, I'll keep those stories at hand and go through them. But once it exists as the book, it's locked away in a vault, and I kind of put it behind me.
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I'm not the best person to analyze any kind of evolution in my work, but I do feel like it's been an ongoing struggle to basically teach myself how to tell the kinds of stories that interest me in comics form.
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The type of cartooning that I think is generally referred to as 'alternative' or 'underground' is usually - the distinction is usually in terms of whether it's made by one person, the entire thing is done by one hand or more of a production line process, which is how the comics that we grew up reading were made.
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There's never been a moment where I sat down at my drawing board and thought, 'I'm a pro!'
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.