One of the great things about being an older person is that I am very aware of the scope of the work and the historical sense of it. It's bigger than me.
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I sometimes find the surface interesting. To say that the mark of a good portrait is whether you get them or get the soul - I don't think this is possible all of the time.
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What I end up shooting is the situation. I shoot the composition and my subject is going to help the composition or not.
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I'm more interested in being good than being famous.
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A very subtle difference can make the picture or not.
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I've created a vocabulary of different styles. I draw from many different ways to take a picture. Sometimes I go back to reportage, to journalism.
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My hope is that we continue to nurture the places that we love, but that we also look outside our immediate worlds.
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I was with Tom Wolfe at the launch of Apollo 17, which led him to 'The Right Stuff.'
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I've learned to create a palette, a vocabulary of ways to take pictures.