When I was beginning, a young actor could go from repertory company to repertory company. I did that and loved it. I was also lucky.
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That's what's so wonderful about being in this business because you're constantly surprised. You have to be up for anything.
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My theory in anything you do is to keep exploring, keep digging deeper to find new stuff.
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I've always had a middling kind of a career, not great highs and great lows.
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Singing and dancing will never grow old for me - I'd like to do that until I'm... actually, I think I'd like to drop dead onstage. I think that'd be just great.
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I've kept my sanity in this business by trying out for a role and then going home and trying to forget about it.
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I try to avoid a specific image. I seek to play as many different women as I can to avoid having a label put on me.
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Whether you're on TV or on the stage, you have to work hard to stay fresh, real, and full of energy. You can't settle back. You always have to stay on your toes.
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I don't read critics, and I don't care what they say. You can't let them steal your soul. You do what the director and production is committed to doing. I just think it's terrible that critics have the power to keep people away from a good production.