There was a time in the '90s where, as an African-American man, you had to be a misogynistic R&B star or a rapper, and I didn't fit into either one of those. I was advised by my label to remain closeted at that time.
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I do 'sissy with a heart of gold' really well.
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I took 'Grease' to play my trump card, my voice, and get attention that would lead to auditions for serious work like 'Angels in America.' But I backed myself into a corner with 'Grease,' and it took me 17 years to get out.
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For me, life is about being positive and hopeful, choosing to be joyful, choosing to be encouraging, choosing to be empowering.
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I just feel like we as a human race tend to fear that which we don't understand. It's cause for a lot of bad things and bad behavior to exist on the planet. Artists have a way of touching people and changing minds in a way that sometimes other mediums don't.
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I love the community of theater. There is something about the camaraderie: People who show up eight times a week to do a show. It's unlike any other business. It's just lovely. You feel like you're in a family.
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I was so beat down as a young person - being black, being gay, being unable to assimilate because I could never, ever pull off being butch.
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I've worked with a lot of gay and lesbian organizations. I sit on the board of the Empire State Pride Agenda. I've also done a lot of work for Broadway Care/Equity Fights AIDS. I think it's important because, when we can be of service to others, it only enhances our lives. I've been helped a lot in my life.
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I had something nobody else could do - I sang in a way that separated me - and, when you're trying to get noticed, you play your trump card.