People have to learn that everybody is the same. If you wake up in the morning, even if you're a movie star, you look like everybody else. The reality is that makeup is there to help. That's what it's for.
Copied to Clipboard
Copied to Clipboard
I love the dramatic idea of having nothing on.
Copied to Clipboard
Copied to Clipboard
I have always been attracted to faces that are different.
Copied to Clipboard
Copied to Clipboard
I think there was a freedom in the 1920s and 1930s: a certain liberty and evolution of women.
Copied to Clipboard
Copied to Clipboard
Transparency is more sexy than a full, pancake finish.
Copied to Clipboard
Copied to Clipboard
There is a tendency to feature more actresses on covers, but I'm a big model lover. I grew up watching these models, and they gave me the wish, the need, to work in the fashion industry. I loved watching them - their beauty, the way they worked in front of the camera and that power of transformation, especially in the Seventies.
Copied to Clipboard
Copied to Clipboard
I chose makeup over photography because there was something very sensual about makeup that I loved. But photography was always in the back of my mind. That was always something that I was very connected with: looking at magazines, enjoying photography, and then taking pictures myself when I was a kid.
Copied to Clipboard
Copied to Clipboard
It's more fun to have a name rather than a number. I think this gives our products a personality. I get the names from literature, movies, opera, traveling, nature, poetry, sometimes even the street. I keep a small book that I write in. I wake up in the middle of the night and jot down a name for a lipstick or an eyeshadow.
Copied to Clipboard
Copied to Clipboard
I love to collaborate with artists, like Guy Bourdin and Steven Klein, who don't have any boundaries.