What sets 'Archie' apart from the many, many times I've reworked and rebooted long-standing characters is that this time, it was really scary.
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I broke into comics by working as a press reporter for the industry, for a trade press in comics, and reporting on events and reporting on books and so forth, and I got to know some of the editors at DC Comics in the mid-'80s.
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Style and entertainment tastes change, but the core emotions of being a kid - which, not coincidentally, are the core foundations of any good story - are constant.
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I think it's imperative of me to advance that theory that you can win your small victories against the dark.
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Everyone knows what it's like to make the wrong decision for the right reasons. For me, wrong decisions are the heart of drama - a character who's always making the right decisions is boring.
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I love print comics.
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I think there's a moral imperative when you're writing fictional heroes to give characters who somehow give us something to aspire to as opposed to dragging them down to our level.
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Find me anybody in comics who has a longer history of yanking defeat from the jaws of victory than Bruce Banner.
