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Assuming audiences to be dumb, that's a big fallacy.

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I am trying to make the kind of film that I would be happy to see.

I edit as I write and shoot. Any extra line, any pause that I know will get chopped on the editing table is done away with then and there.

Someday I want to really talk about religion and blind faith. I explored astrologers, palmistry etcetra at length till I believed it was a scam. Even in '3 Idiots' I take a dig at them.

For me, cinema is happiness.

I can lock myself for months in the editing suite with no noise or distractions. It's fascinating to see the film taking shape.

When you focus on your own work, it all falls in place. People respect you.

The pressure is always there to make good films, but that is more from your mindset, either you have it or you don't have it.

You need to write about something that you really know about or you deeply connect with. Don't fake it.

Attenborough's 'Gandhi' shook me as a filmmaker.

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Assuming audiences to be dumb, that's a big fallacy.

Assuming audiences to be dumb, that's a big fallacy.

Assuming audiences to be dumb, that's a big fallacy.

Assuming audiences to be dumb, that's a big fallacy.

Assuming audiences to be dumb, that's a big fallacy.

Assuming audiences to be dumb, that's a big fallacy.

Assuming audiences to be dumb, that's a big fallacy.

Assuming audiences to be dumb, that's a big fallacy.

Assuming audiences to be dumb, that's a big fallacy.

Assuming audiences to be dumb, that's a big fallacy.

Assuming audiences to be dumb, that's a big fallacy.

Assuming audiences to be dumb, that's a big fallacy.

Assuming audiences to be dumb, that's a big fallacy.

Assuming audiences to be dumb, that's a big fallacy.

Assuming audiences to be dumb, that's a big fallacy.