I've always looked to other women for inspiration and kicks. When a woman stands up and does her thing, it never ceases to excite and inspire me.
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My kids love Ibiza and we feel committed to it because we keep coming back to the same area. People recognise us in shops now and we have a social life here. We cook at home and have friends around.
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I don't think you can cover a song unless you love it and have a relationship with it. With 'Golden Heart' I felt a sense of responsibility. And when we were recording it in the studio, it felt almost dream-like. Something you might hear if you were in Senegal, with someone singing from the mosque in the morning just as the sun's coming up.
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I'm not an amazingly trained soul singer, so with me it's about feeling and energy and spontaneity - that's a really big part of who I am.
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Some people might be groomed for success; I've just always thought I've got a hell of a lot of things to learn and places to go. Creatively, I couldn't stay on the same treadmill. I chose to be off-centre and do collaborative work.
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I think I've always been slightly addicted to not repeating myself. When you're doing something the first time around, it's often the best time. I think 'Blank Project' is about carrying on. Its that thing where you're making something because you have to, but you don't know how or why.
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I love Robyn, not just because we've worked together. I mean, that's why we've worked together - because I love her.
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Rip Rig + Panic that I joined, they were really influenced by jazz and blues and punk. So I think what happened from punk, which was kind of DIY, was that it created a kind of creative place that was kind of without limits, in a way.
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For me, making music is about my whole life. The basics, the components, simple things - family, living, just going to the market and getting new fruit and veg. That's what keeps my blood flowing.