Children who have been in work for a long time suddenly get a thud down to earth once the cuteness fades, hips widen, voices drop and jawlines strengthen.
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I am not comfortable telling people I am trying stand-up because to me that implies confidence. I'm - well, I'm not.
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You're made aware of what the industry is and what you need to conform to; I don't fit that, and I'm never going to.
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Having done film, TV and theatre, the nicest final bit of the jigsaw is to do live comedy, because you can talk to the audience. It feels really natural to be able to laugh with them, but at the same time still be within the framework of a play.
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My grandparents would never admit to being Tasmanian, but I think it's really great and funny. But I guess, in the past, Tasmanians just weren't quite accepted. You had that lazy reference to them being felons.
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Getting a role in 'Harry Potter' was like winning the lottery. But no one deserves an acting job.
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When I'm not working in a professional capacity, I'm writing, and when I'm at home, it's a way of having contact with people or communicating.
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When I got my headshots done, there was this woman screaming at me to blow my lips out. She kept saying, 'You want to be like Scarlett Johansson, don't you?' In the shot, my eyes are popping out; I look terrified. I realised I'd rather not get a job than go through pain to be something I'm not.
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My experience of children on a film set, especially on a big film set like the 'Potter' one, is not wholly positive.