I'm not an investigative journalist; I don't track crime or police blotters.
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I don't care what people think about me. I care what people think about my work. As a young woman, I was so eager to please that I served others' happiness and even their values before my own.
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We know the seductive alchemy of art. To transform private anguish into a narrative of truth, if not beauty; to make sense where there was none; to bring order out of chaos - these are the promises art makes.
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One of the things I find exciting about Joan of Arc is how clearly the story of her life reveals the creation of myth, a process in which every one of us is involved - every one of us who tells stories and all those who listen, each informing the other.
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I was the good girl who never needed disciplining, who made straight A's. I applied and was accepted to Stanford University.
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It is my conviction that secrets are more costly in the long run than honesty.
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I like vampires, tuberculosis, anything to do with blood. Then I read a biography of Rasputin and found out he'd had this daughter who had become a famous lion tamer and been billed as the daughter of the mad monk who was able to hypnotize animals with her eyes. It gave me a vision.
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I reread 'Nicholas and Alexandra' in my early twenties, and I never forgot the story.
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Rasputin's daughter understands the revolution. She would have been an outsider, a spectator in the royal family and to the revolution.