I think that people are most comfortable when they can put you in a box - and that's very easy to do that when someone can put you in more serious roles. I'm not blaming them for that - it's just up to me to show people what I can do.
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Television can be a little tricky in terms of finding roles that feel fully flushed out, which is why I love being in the theater so much, because the roles tend to be really on the page.
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I do think musical-theater actors can get a bad rap, and I see why. There is a certain slickness - there's nothing better than an amazing musical, but an okay musical can be one of the worst times you've ever had.
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That's all TV acting is. Like, let me find my mark and seem like I'm still acting. Sometimes they'll put sandbags there, but then it's even funnier because you're walking and you're, like, stepping into sandbags, so now you look like you're having a seizure.
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I do think that having the villain be a woman is just as feminine, because we're not just saying, 'Women are wonderful and made of marshmallows,' but women can be anything. They can be amazing superheroes, or they can be dastardly villains, and everything in between.
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I think that every therapist that I know, including my dad and my sister, have their own issues. But that empathy is what makes them good at their job.
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I think that I come off as, 'Nothing bothers me, I don't care! I'm funny and sassy.' But I'm deeply sensitive. Not only about myself but to others. Not to pat myself on the back, empathy is a quality I've cultivated over my life. It came naturally to me as a child.
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My favorite show tune has got to be Stephen Sondheim's 'I Remember Sky.' It's probably the saddest song of all time; I sing it to myself in the mirror. No, I am kidding. That's the joke.
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I grew up loving musicals. My mom had records of original cast recordings, and one of them was 'She Loves Me.' I wore that thing out singing along to Barbara Cook when I was eight years old.