For me, I try to see difficulties as a way of expanding and growing as a person inhabiting this planet.
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I'm still the way I've always been. Lots of hair and eyes, a bit Raquel Welch-ish.
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My music touches on things I am concerned with in my own life - the idea of a woman's role in society, sexuality, desire, monogamy, fantasy and glamour. That's what keeps me alive, and if I couldn't keep creating that, I'd fall into a bit of heap.
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I was on 'Murder She Wrote' with Angela Lansbury. She was fantastic... she was lovely to everyone, she was always on time, prepared. Whereas when I worked with Bob Hope, he didn't know his lines. He had to have these huge big cards... he hardly said two words to me all day.
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I have no regrets about my life.
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It is a good thing to happen to you, to have that taste of fame because then you don't hanker for it.
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He wasn't really Method but he believed that when you did a role there were lots of things you could do with your co-star in order to create the right environment. You known, if you were supposed to be in love, to create that feeling between the two of you.
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Then Mission Impossible brought me to Australia and that was great because I fell in love.
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I just feel passionately about a few things and particularly about helping artists get off the ground.