I'm just going to tour; that's the best way for people to get to know me. Focusing on the international stuff and breaking in to the States and U.K.
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I got down to business and started writing furiously. I wore my fingers down to a callous state writing with every Tom, Dick and Harry around the world, including a chap named Charlie who plays for a man named Bob, to wrestle my emotions and bring out the raw grit hiding in my tightly guarded sub-conscious.
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I'm very open with people, very warm, when I meet them. My fans in particular find that strange and refreshing.
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You break up, and you say something pathetic, or you don't even speak at all when someone's telling you they don't love you anymore. But then you think about it five minutes later, and you have all these great comebacks!
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I've got some real diehards down in New Zealand; I look after them and make sure they always get tickets.
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I've lived a lot since I was 16, so I've got more things to write about. I've started playing around the world and met some great people along the way who've taught me lots of things.
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I've got a very short attention span, and this has been part of the reason I'm so kind of dumbfounded at the fact that I've still stayed with music. Nothing has ever stuck for me, and music's the only thing that's managed to stick out for a long period of time.
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I listened to John Denver and Simon & Garfunkel. Edith Piaf was a huge favourite. Then I discovered musicals - I loved 'Les Miserables' - and, at about 14, I started listening to David Gray.
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I remember when I wrote songs when I was about 16, they all sounded the same because I didn't know anything. And all the subject matter was all the same because I hadn't actually done much.