I was a lawyer for 10 years, and when you're in law, things really have to get done, or somebody sues you. It's a great trick.
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When you do anything creative, you really have to live entirely in that world. I think my ability to do that is what makes me such a bad dinner guest. I'm always looking over someone's shoulder, taking in stuff around the room, immersed in the world of whatever I'm writing about, and keeping the characters completely in my head.
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Basically, I learned to read by reading 'Peanuts,' just wanting to know what they were saying. I was 4 or 5 or whatever. I think it's a fairly common story.
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I don't pay that much attention to sales figures or awards. To me, the big question is: 'Did you influence the next generation?' That's my goal.
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The principles of comedy are the principles of comedy. I can hear funny.
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Maybe the bar is low, but most of the strips that are 50, 60, 70 years old that are on their second or third generation of artists, the humor is pretty bland. There are others by people that were raised on 'Family Guy' or 'South Park' that are edgier. Mine's not as edgy as those, but it's edgier than 'Beetle Bailey.'
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I guess that compared to other comic strips, I'm edgy. But put me along something like 'South Park,' and I'm 'Captain Kangaroo.'
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It seems so absurd to get really mad with a cartoonist over a comic strip. It's sort of like getting in a fight with a circus clown outside your house. It's not going to end well.
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We need more cartoonists to truly retire when they retire, and not run repeats.