I felt along with her - not the physical pain, of course, but all her mental anguish. You can't be detached. She needed to have someone who understood what was happening in her mind.
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I hung around New York and did a little stock-company stuff. I wasn't really sure at that time if I even wanted to be an actor. I got no encouragement.
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When you see weakness in a hero, you are doing something to his identity. You take something away from the kids, the next generation; you steal away giving them anything to look up to.
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I wouldn't tell Jill how I felt. I behaved in such a way that was opposite to how I felt. I must have seemed strong to her. I didn't want to bring her down.
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When I was a kid, I was always drawing things. I'd get butcher paper or grocery bags and draw on them.
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I don't have friends, I have thousands of acquaintances. No friends. I figured I had a wife and children.
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Maybe I'm too masculine. Casting directors cast in their own, or an idealized image. Maybe I don't look like anybody's ideal.
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I can play the character better because of the roundness of my experience - because of the things I've been through. All those method guys - like that De Niro, Stallone, and what's his name, Pacino - they're all the same.
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I don't look like someone who leans on a mantelpiece with a cocktail in my hand, you know.