I think William Trevor is as good as it gets. Whenever I want a book to do exactly what it says it will, I read him.
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Travel writing is harrowing. You are in paradise, more or less, having to prove it is paradise. It is hard to have a good time trying to figure out a way to say you are having a good time, whether you are having it or not, even in paradise.
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An indigo snake leaves a lasting impression.
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They got into fact checking at the 'Paris Review,' and it was mortifying. There was a wrangle about Hemingway's lost stories that nearly killed me. It turns out he didn't lose those stories. They weren't stolen from the platform.
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Writing books is a nice retreat. There's nothing quite like diving into a book for a few hours. That is a big time vacation.
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I know about the sweet home. I went to school with 'em boys, what became Lynyrd Skynyrd; I knew Allen Collins, the skinny girl-beautiful guitarist. I put Allen Collins in every travel piece I do. Travel writing is harrowing, going to Bermuda with a banjo on my knee.
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I was always the new kid, and I got to know the language and the politics of being on the outside, looking in. Never being in the clique - always being a student of the clique, a subversive, and I could look around and identify the other guys who were excluded.
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I don't write anything if I'm not agreeable and liking it. I'm not one of these slavers who wads up paper. It comes or it doesn't.
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I am writing a book more improbable than 'The Interrogative Mood' that I call 'Manifesto'. It's two guys talking who speak artificially conveniently.