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That feeling of wavering between reality and supernatural has always been really interesting to me.
I've always preferred being behind the camera.
It's very easy to fall into a rut where you're just making things that you don't believe in for other people.
I was fortunate to work on a few episodes of 'Barry' right before we shot 'Atlanta.' That was where I got my training wheels for action coverage.
I remember, when 'Atlanta' first happened, I didn't know what to expect. It felt like it was a lot of responsibility.
Even if an episode is self-contained, the preceding episodes always affect how the audience takes it in.
I used to be terrified of heights as a kid.
I like shooting locations just because too much control on the stage can be a bad thing.
Whether it's a TV show or a music video, the seed of the idea is what's driving my decisions, not the format or the outcome.
FX is a network; that's their whole model, letting creators make the thing they want to make and then marketing it really well.
