To me, the struggle is to try to make a less-well-written or less-well-rounded character and find who they are. If you really get it, and it's all on the page, then it's really just gonna pop out at you.
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I've played a lot of bad guys, and I'm pretty good at leaving my work at the office. And I look at acting as having a certain sort of therapeutic nature to it.
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Somebody with a billion followers can tweet, 'See my movie,' and it can still tank. Followers don't always translate into success because I think people are too savvy. When something takes off, it's because people are connecting to it - not because someone with a lot of followers says to care about it.
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There are people who tell you to shut up because you're just a celebrity, but pundits, talking heads, they're every bit the celebrity and a lot of them aren't any more qualified than the average man on the street.
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When it happened to us and it was all gone overnight, we said, 'We are in this together, we are healthy, our children are healthy and we can work'.
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Whether it's my age or my misspent youth, sometimes I forget whether I've worked with somebody or not.
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'The River Wild' was great, with Meryl Streep. That guy was really a bad dude who was ultimately sort of fundamentally impotent in a weird way. That was kind of interesting.
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I have fond memories of Chris Penn, who's sadly not with us. He always made me laugh - it was great to be with him.
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I think we all have a lot of darkness in our bellies. As an actor, the challenge of tapping into that, reaching down into that sadness or anger, is very therapeutic.
