I kind of dislike 'For Whom the Bell Tolls,' but most of Hemingway in general, mainly because his stylistic shenanigans ruined so many young writers of my generation who tried to imitate him. I think, for his time, he moved fiction to a different level stylistically, or at least added to the dialogue, but in our time, he's annoying.
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I've sort of made a reputation by high-stepping my way out of genre. As soon as somebody says, 'He does this,' I'm not standing there anymore.
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The reason I wrote 'You Suck' was that I so enjoyed spending time with Tommy and Jody.
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You know, a vampire book is not a book to be the vehicle for big themes and stuff, where sometimes when you're dealing with art or the life of Christ or the oeuvre of Shakespeare, you know, it's a little more ambitious.
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I can't write a book like 'Lamb' or 'Fool' every year. It just takes too much research and craft.
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San Francisco is a breathtakingly beautiful city, with lots of great contrasts between dark and light, often overlapping each other. It's a great setting for a horror story.
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The fact that 'A Dirty Job' has comedy and supernatural horror in it, that both are woven in and out of it with a whimsical tone, despite the fact that it's about death, makes it hard to characterize with standard genre labels - but I have no problem with that. I'd call it a funny story about death, and leave it at that.
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I think beta males on an evolutionary basis are much more successful than the alpha males are. You don't hear much about us, but there's a lot more of us out there.
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I don't give a toss about being remembered after my death.