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It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.

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I was in New York one day, and this guy ran off a bus, grabbed me, and told me that 'Maurice' had changed his life. I've also had it many, many times in England.

I wanted to make a movie once at Lake of the Woods, where my parents had a cabin, which I now have. We actually planned, we wrote a whole screenplay about a kind of Indian spiritual group that was at Lake of the Woods. We weren't calling it that but it was Lake of the Woods. We wrote a whole screenplay about it but we couldn't get funding for it.

If I hear that a film of mine is going to be shown on a big screen somewhere and I haven't seen it in a while, I make a point to get to see it. I just want to see it up on the big screen.

I like a lot of good dialogue if it is well-acted.

In 'A Room With a View' there's a lovely scene with Julian Sands and Helena Bonham-Carter in a wheat field. It was simply the right time of day: late afternoon, that golden light, wheat and poppies... So romantic. But I had no idea it would turn out that well, since we so rarely shoot in a studio.

I learned to paint in a historical method. First through watercolours and then through oil. Then, when I went to college and to the school of architecture, I took up modern painting.

This may sound corny, but I've always liked to make things that were beautiful.

Love is the absolute basis of my career.

See, nobody understood how we were able to make a film like 'A Room With a View' so cheaply, for about $3.2 million, and have it look as good as it did.

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It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.

It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.

It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.

It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.

It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.

It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.

It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.

It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.

It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.

It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.

It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.

It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.

It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.

It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.

It's important to see the work of as many directors as possible but you must not become self-conscious. You have to accept that your first attempts are going to be quite rough compared to the finished works of great masters.