I've known I was gay since I was young, I think. And I mean young - like, young - like 5 or 6. I think most gay people or queer people know there's something different about them very early, but I didn't know what to call it.
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I remember going to 'The Wood' and leaving my friend and my mom, who I came with, to go sit in the front row because I was so excited.
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When people think of the South Side of Chicago, they don't think about where I'm from. It was sort of a pocket: this idyllic community of black people who took care of each other, knew each other, spent time with each other.
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I think the stakes are always high when you're an artist of color - to get things right, to get things perfect and make everybody happy.
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I consider myself more of a writer than I do a director.
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All the writers for 'The Chi,' they're all phenomenal, so I'm just working on projects with them. They have great scripts.
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I think that for the most part, black people specifically have sort of been used as props in TV shows as a way to move story along or as a way to make things more entertaining.
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Wearing one hoop earring and playing with the androgyny - that's who I am. That's what I like to do. And I feel the world should see that. I'm not going to put a shield up or be more feminine to make people feel comfortable.
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I'm writing my story so that others might see fragments of themselves.