We in New York were very poor in the depths of the Depression - but I must say, that was the best time of my life.
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I imagine I was supposed to become a lawyer or something. But this was the Depression; the lawyers I saw were all driving cabs. So I thought, 'Well, if I'm going to be badly off anyway, I might as well be badly off in the theater, where you get used to it.'
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I'm very proud of the people with whom I've worked. It's an amazing collection that just by happenstance happened.
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I have never had a better working experience than 'St. Elsewhere.' It's a supreme show.
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Everyone's looking for who's hot. What about looking for who's good?
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Renoir had a strong feeling about his fellow soldiers. He'd never disrespect them by putting the war down.
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If you're in the groove, you get something back from the audience that is so exciting and rewarding that no film or television work can possibly compete.
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People get ideas of how to live or not to live from what you do on television.
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You were taught how to do the things you needed to do. Dance, speech, fencing. They groomed people. If you were in a film, and the script wasn't working for you, they brought in screenwriters and fixed the scripts.
